![]() Scatters unfocused light over the negative, allowing for lower contrast and minimized dust effects, but longer exposure times.īounces light from high-intensity tungsten-halogen bulb into a diffusion chamber where color filters (magenta, yellow and cyan) control desired amounts of variable contrast for black and white printing or the color balance for color printing. Utilizes one or more lenses to concentrate light directly on negative, allowing for short exposure times, and higher contrast. It is important not to contaminate each area to insure the proper handling of materials.Ĭontact Print Easel (left), Adjustable Easel (middle) and Grain Focuser (right)ĭeveloping | Processing Trays (left), Tongs (middle) and Timer (right) A darkroom is typically divided into two separate sections – a dry side where the enlarger is located and a wet side with the paper processing chemistry located in a sink. Unlike film developing, printing photographic enlargements can be done under dim amber safelights. In order to create a positive within a photographic analog environment, a darkroom is necessary, including an enlarger, easel, safelights and processing trays. The negative is a reversal of the tones in the original scene. ![]() ![]() ![]() Like film, printing paper is coated with an emulsion containing light-sensitive compounds.
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